Static or dynamic filters for every task
530 low noise, zero latency6, static and dynamic filter shapes.
Steepness between 6 and 96 dB/Oct. Shelving and peaking filters can be static or dynamic. Dynamic filters can compress and expand. Zipper-noise free adjustment of gain, frequency, and Q. Audition mode to isolate affected frequency range.
Supporting visuals
Configurable analyzers to improve your workflow and identify potential issues instantly.
Pre and post EQ spectrum analyzer with external side-chain support. Configurable frequency resolution, spectral tilt, speed and dynamic range. Spectrum analyzer with peak hold. Vertical spectrogram mode with a range of color schemes. Interactive piano keyboard for frequency parameter adjustment. Fully resizable interface with dozens of color themes.
Learn and match
Get that spectral balance right every time.
Learn average spectra and create match-EQ settings interactively. Import and export learned spectra. Learn pre or post EQ, or from an external side-chain input6. Match-EQ parameters can be modified after automatic matching analysis.
Loudness matching
Fully compliant with EBU R128 and ITU bs.1770.
Measure pre and post EQ loudness simultaneously. Convert to loudness matching output gain automatically. Scale and/or freeze all gain parameters instantly. Scale and/or freeze all dynamic range parameters instantly.
Fully immersive
Supporting virtually every audio format with up to 64 audio channels3.
All EQ sections can be configured to run on any number of channels. Channel selector has visual channel activity (level) indicators. Mid/Side support. Process surround sound, higher-order ambisonics, Dolby Atmos and more!
Host integration
Inspect EQ curves from your host's mixer or track panel. Control surface integration.
EQ curve integration in track inspector or mixer4. Support for EUCON control surface integration7.
Lookahead without latency
No more compromises!
Deep host integration, combined with predictive and adaptive analysis technology allow for dynamics processing that has the benefits of lookahead but doesn't suffer from latency.
Adaptive filters for dedicated tasks
Some of our brand-new, innovative filter types providing unprecedented control
Transient filters
Attenuate, amplify, EQ, or design transients
No need for separate transient design tools with our brand-new integrated transient filter types. Transient filters equalize transients only, and leave sustaining parts of the track or mix untouched.
Sustain filters
The perfect complement to transient filters
Sustain filters equalize sustaining (non-transient) parts of a signal only, while leaving onset transients untouched. Perfect for EQ-ing sustaining and decaying segments of your mix elements independently from their onset.
Direct & Ambiance filters
Adjust spatial attributes based on advanced spatial source separation1
Using advanced spatial source separation algorithms, direct and ambiance filters can equalize reverberant or diffuse (ambiance) elements independently from direct elements, providing unprecedented control over spatial attributes.
Sibilance filters
Filters that respond like a professional de-esser
Reduce excess sibilance easily without requiring dedicated tools. Sibilance filters respond to frequency components that 'stick out' in relation to the overall signal level.
Background filters
Subtly process background sounds or apply gating expansion
Subtly amplify or attenuate background elements in your mix by level-dependent upward compression or expansion with our novel background filter types, or use the dedicated gating filters to more aggressively remove or amplify background signals.
External sidechain filters
Frequency-selective side-chain2 compression or expansion
Enhance or duck frequency ranges based on external side-chain activity. External side-chain compression, track spacing, frequency-dependent ducking and more directly from within the EQ.
Unmask filters beta
Gain riding made easy2
Apply a frequency-selective gain that matches the amount of auditory masking caused by other tracks in your mix. Automatic gain riding was never this easy!
Brickwall filters
Our steepest filters ever - without latency
Brickwall lowpass and highpass filters can aggressively remove low-frequency rumble, protect signals from causing aliasing or distortion by removing ultrasonic components and more.
Find the desktop version that's right for you
Equalizer 4
€35
Personal, perpetual license for Windows and macOS for use on up to 4 computers.
Trial Buy- New license
- Also allows upgrade to Pro
- Terms and conditions
Pro crossgrade
€35
Personal, perpetual license for Windows and macOS for use on up to 4 computers.
Trial Buy- Crossgrade Equalizer 4 to Pro
- Offer for a limited time only
- Terms and conditions
Equalizer Pro
€59
Personal, perpetual license for Windows and macOS for use on up to 4 computers.
Trial Buy- New license
- Does not include Equalizer 4
- Terms and conditions
Also on mobile
TB Equalizer Pro is also available for iPhone and iPad.
Head over to the Apple Appstore for an AUv3 plug-in for your favorite iOS/iPadOS music production apps
What is new in Equalizer Pro
Format support and filter types
| Equalizer 4 | Equalizer Pro | |
|---|---|---|
| Brickwall filter types | - |
|
| Transient & sustain filter types | - |
|
| Direct & ambiance filter types | - |
|
| Background & gating filter types | - |
|
| Sibilance filter types | - |
|
| Unmask filter types | - |
|
| Gain range freeze | - |
|
| Dynamic range scaling and freezing | - |
|
| Dynamic filter expansion | - |
|
| Latency-free lookahead | - |
|
| Dynamic filter compression |
|
|
| External side chain input2 |
|
|
| Per-band directional EQ |
|
|
| Non-linear (saturation) filters |
|
- |
| Dynamic filter compression ratio | Manual adjustment | Fully automatic |
| Number of filter shapes | 35 | 482 |
| Maximum filter steepness | 30-60 dB/Oct depending on filter type | 96 dB/Oct |
| Number of filter sections | Max 16 sections | Max 24 sections |
| Main input bus | Max 16 channels | Max 64 channels3 |
| Gain resolution | 0.1 dB | 0.01 dB |
| Center frequency range | 23 Hz - 17 kHz | 5 Hz - 22 kHz |
| Q range | 0.1 - 10 | 0.02 - 50 |
| Max sample rate | 384 kHz8 | 384 kHz8 |
| Loudness compensation | Approximate auto-make up | ITU bs.1770 compliant matching |
| Plug-in formats Apple macOS | VST, VST3, AU, AAX | VST, VST3, AU, AAX |
| Plug-in formats Microsoft Windows | VST, VST3, AAX | VST, VST3, AAX |
| Plug-in formats Apple iOS/iPadOS | AUv3, IAA | AUv3, IAA |
UI and workflow
| Equalizer 4 | Equalizer Pro | |
|---|---|---|
| Spectrum analyzer speed adjustment | - |
|
| Spectrum analyzer peak hold | - |
|
| Spectrum analyzer dynamic range adjustment | - |
|
| Vertical spectrogram | - |
|
| EQ curve value readout | - |
|
| EQ curve nudge to adjust | - |
|
| Refreshrate synchronous rendering | - |
|
| Duplicatation of EQ sections | - |
|
| Splitting of EQ sections | - |
|
| Channel selector activity indicator | - |
|
| Separate L, R, M, S curves | - |
|
| Table overview of all parameters | - |
|
| Control panel minimization | - |
|
| Resizable UI & color themes |
|
|
| Cross-platform preset manager |
|
|
| Micro edit (shift-drag) |
|
|
| Unidirectional edit (alt/control-drag) |
|
|
| Lasso group edit |
|
|
| EUCON control surface integration7 |
|
|
| Show EQ curve in DAW mixer4 | AAX only | AAX, VST, VST3 |
| Number of A/B comparison slots | 2 (A/B) | 4 (A/B/C/D) |
| Piano keyboard | Frequency adjustment only | Fully interactive |
| EQ match | EQ suggestions only | EQ learn, match, apply, import, and export |
| UI |
|
|
